Ancient Indian Temple Architecture: A Historical Study of Its Evolution, Religious Significance and Cultural Expressions
DOI:
https://doi.org/10.5281/zenodo.23662404Keywords:
Ancient India, Temple Architecture, Nagara, Dravida, Shikhara, Vimana, Hinduism, Sculpture, Religious Architecture, Cultural HeritageAbstract
Ancient Indian temple architecture represents one of the most significant achievements of the Indian subcontinent’s religious, artistic and cultural history. The temple developed from relatively simple sacred structures into highly sophisticated architectural complexes that integrated religious beliefs, ritual practices, sculpture, engineering, political patronage and social institutions. Although the surviving structural temples are particularly abundant from the Gupta and post-Gupta periods, their development was preceded by older traditions of sacred architecture, rock-cut monuments and perishable structures. The Gupta period marked an important stage in the emergence of recognizable temple forms, while the Pallavas, Chalukyas, Rashtrakutas and Cholas subsequently developed distinctive regional traditions. The broad architectural categories of Nagara and Dravida, together with the diverse traditions of the Deccan, provide useful frameworks for understanding this development, although the boundaries between them were never completely rigid. The garbhagriha, mandapa, shikhara, vimana, pradakshinapatha and gateway constituted important components of temple design. Beyond their religious function, temples served as centres of artistic production, political representation, economic activity and community life. This article examines the evolution of ancient Indian temple architecture, its religious symbolism and its cultural expressions, arguing that the temple should be understood not simply as a monument but as a multidimensional institution in the making of Indian civilizationDownloads 46 and Views 32
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https://doi.org/10.5281/zenodo.23662404
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